01:18:10 - Den 11 mars 2020 anordnades en studentafton med läkaren Erik Erichsen, känd som ”Rebellkirurgen”, samt filmregissören Erik Gandini som står bakom de…
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Hur svenskar blev så ensamma. Jag pratade med regissören av 'The Swedish Theory of Love' om varför att vara självständig inte alltid är så bra. Jag är och 80-talist och växte jag upp i
The book has been widely read, discussed, and debated, and it continues to enliven debates today. Now, thanks to the University of Washington Press, their book appears for the first time in English translation as The Swedish Theory of Love. Henrik and Lars’ book offers much to American audiences interested in understanding the philosophy
See a book talk with Lars Trägårdh on the new publication of "The Swedish Theory of Love"! With moderator Anna Kirstine Schirrer, Trägårdh discussed his exp
jelaskan bentuk pameran berdasarkan tempat dan waktu pameran. Sweden is typically portrayed as having a perfectly organized society in which everyone has equal opportunities for an independent existence. One upshot is that people don’t need to ask anyone else for help or favors, bringing contact between individuals to an absolute minimum. Half the population lives in single households, and more and more women are choosing for single motherhood through artificial insemination. Meanwhile, the number of people dying alone is continually on the rise. The woeful succession of sperm banks, deserted neighborhoods and forgotten deaths casts a disturbing light on the downside to an independent society in which the only truly social activity appears to be searches for missing persons. The film raises the fascinating question of why a life lived in such security and safety should turn out to be so unsatisfying. Some Swedes are putting up courageous resistance: young people are organizing gatherings in the woods to surrender to emotions and caresses; a successful surgeon moved away to Ethiopia, where despite the lack of material wealth he relearned the value of community. In conclusion, maverick sociologist Zygmunt Bauman explains why a trouble-free life isn’t necessarily a happy Gandini for Fasad, Juan Pablo Libossart for FasadCo-productionZentropa Entertainment, Indie Film, Film VastCinematographyVania Tegamelli, Carl NilssonIDFA history
Fundacja Feminoteka poleca film Erika Gandiniego „Szwedzka Teoria Miłości”. Od 10 lutego w kinach! Tytuł filmu: The Swedish Theory of Love Kraj: Szwecja Rok: 2015 Czas trwania: 76 min Premiera: 10 lutego 2017 Szwedki są dziś największą grupą wśród klientek banków nasienia, zaś jeden na czterech Szwedów umiera samotnie. Erik Gandini w Szwedzkiej teorii miłości portretuje kraj, który od początku lat 70. realizuje wizję wolnych, równych ludzi, pozbawionych więzów zależności ekonomicznej. Wydaje się, że państwo zapewnia Szwedom wszystko oprócz… umiejętności by- cia z innymi ludźmi. Gandini, autor filmu Wideokracja Nagroda Millennium w Konkursie Głównym 7. edycji festiwalu Millennium Docs Against Gravity), zastanawia się, czy ceną za wolność nie jest samotność. Jeśli Szwecja nie jest krainą powszechnego szczęścia, to gdzie go szukać? Jeden z bohaterów filmu odnajduje spełnienie w kulturze Etiopii, pracując tam jako lekarz. A grupa młodych ludzi doświadcza bliskości, żyjąc w komunie. Gandini prosi o wskazówki samego profesora Zygmunta Baumana. – To niepra- wda, że szczęście oznacza życie wolne od problemów – odpowiada polski socjolog, zmarły w styczniu br. Szwedzka teoria miłości zdobyła Nagrodę Publiczności Sieci Kin Studyjnych i Lokalnych podczas 13. edycji festiwalu Millennium Docs Against Gravity. Film na ekranach wybranych kin w całej Polsce już 10 lutego.
By Tim Winterstein – What would happen if an entire country took independence and individualism to their logical and extreme ends? We don’t have to wonder. We have Sweden. For the last 40+ years, Sweden has been engaged in a social experiment which now has borne its desiccated fruit. The Swedish Theory of Love is the documentary telling that story. (You can find it online here. If you don’t want to subscribe, you can simply share the movie—I shared it to be visible only to me on Facebook—and you can watch it for free.) It is the story of the inversion of Genesis 2:18: “It is good for a man or a woman to be alone; too much human dependence is evil.” I found myself both repelled and interested, because my default is alone and quiet. And yet the effects of this as a national ideal are clearly destructive: the end of husbands and wives; the end of the home with two parents as the natural location of a child; the beginning of loneliness as the more-than-likely outcome of a life. This is the end of an “old-fashioned, outdated family structure…that made us deeply dependent on one another.” In order to call this progress, complete independence with complete control and choice must be the goal. But that begs the question: Is that a good or worthy goal to be pursued? Does such “progress,” in fact, work against what is hard-wired into the human creature, whether one believes that to be the result of a Creator or the result of evolutionary adaptation? Can natural law be so easily contravened? I think of natural law simply in terms of what is built in to this creation and all creatures by the Creator. And those laws are no more changeable than the law of gravity. In other words, someone might be able to work against such laws in the short term, but sooner or later the full weight of that law will collapse on its transgressors. You can look at the short-term effects of “no-fault” divorce, and perhaps there will be no apparent negative consequences. But are people in general better off in a society where divorce is common and accepted? Are the divorced people better off? Are their children? Likewise, if one attempts to live in contradiction to the word of the Creator in Genesis 2:18, how long will it take until the hammer falls? The film illustrates one societal contrast by interviewing a Swedish surgeon who moved to Ethiopia with his wife to serve as a doctor in a small community. He talks about how different living in Africa is from living in Sweden: people are always around, at every moment, even after death. “People are never alone. Never,” he says. This contrast is drawn even more starkly in light of the fact that Sweden has an entire governmental department dedicated to investigating whether there are any family connections when people die alone. One in four Swedes, according to the documentary, die alone. Many of those are not discovered to be dead for months or even years! I wonder, then, if this “Swedish theory of love,” that independence is the platform from which Swedes choose their own relationships and the extent of them, is designed primarily for young, healthy professionals. It does not seem to be good for either the very young or the very old. And yet, the documentary shows small groups of young people who leave the cities for the forests, attempting to connect physically and communally with others. They have been deprived of meaningful social interaction, but they feel keenly their lack and try to remedy it in (to me) strange ways. What’s not strange is the innate human desire for connection with other humans, however limited. So we see that many Swedes try to remedy their lack of socialization by participating in searches for missing people. If that’s not a metaphor for their own search for missing community, I don’t know what is. Mary Eberstadt, in her essay “The Prophetic Power of Humanae Vitae” ([First Things (April 2018), 33-39] which alerted me to The Swedish Theory of Love) makes the convincing claim that “what unites these tragic portraits” in Sweden, as well as in Japan, France, and Germany, “is the sexual revolution, which by the 1970s was operating at full throttle in Western nations, driving up divorce rates, driving down marriage rates, and emptying cradles. It does not take a demographer to connect the dots; the evidence of our senses will do.” But natural law alone is not enough. Despite the evidence of our senses, we do not seem to have the fortitude necessary to resist our own desires, even when it becomes clear that those desires will destroy us. We are good at self-justification, denial, and pretense. The Swedish Theory of Love is an evocative portrait of what happens when we deny what is built into human beings: that individuals are made to be connected—made to be interdependent—within families, within communities, within nations.
The Swedish Theory of Love Szwedzka teoria miĹ‚oĹ›ci .......... Directed by Erik Gandini Release date15 Listopad 2015Czas trwania90 minut RYM Rating / z 58 ocen Ranked#245 w 2015JÄ™zykEnglish, Swedish Genres Documentary Share Rate/Catalog Katalog In collection Na liĹ›cie ĹĽyczeĹ„ Posiadane kiedyĹ› (not cataloged) Tagi Enter tags, separated by commas Zachowaj To rate, slide your finger across the stars from left to right. Crew Erik Gandini Director, Screenwriter, Producer Johan Söderberg Composer: Original Music, Film Editor Fredrik Wenzel Assistant Cinematographer Details CechySweden, ColorProduction CompaniesFasad Cine AB, Indie FilmAlternate titlesLa teorĂa sueca del amor. El secreto de la felicidad (tr/es) La teoria svedese dell'amore (tr/it) Szwedzka teoria miĹ‚oĹ›ci (tr/pl) Expand alternate titles [+3] Reviews There are no reviews for this film. You can write a review by pressing the "review" button above. Votes are used to help determine the most interesting content on RYM. Vote up content that is on-topic, within the rules/guidelines, and will likely stay relevant long-term. Vote down content which breaks the rules. Catalog Ratings: 58 Cataloged: 12 Rating distribution Rating trend .......... Cast Crew Erik Gandini Director, Screenwriter, Producer Johan Söderberg Composer: Original Music, Film Editor Fredrik Wenzel Assistant Cinematographer Details CechySweden, ColorProduction CompaniesFasad Cine AB, Indie FilmAlternate titlesLa teorĂa sueca del amor. El secreto de la felicidad (tr/es) La teoria svedese dell'amore (tr/it) Szwedzka teoria miĹ‚oĹ›ci (tr/pl) Expand alternate titles [+3] Comments Rules for comments Be respectful! All the community rules apply here. Keep your comments focused on the film. Don't post randomness/off-topic comments. Jokes are fine, but don't post tactless/inappropriate ones. Don't get in arguments with people here, or start long discussions. Use the boards for extended discussion. Don't use this space to complain about the average rating, chart position, genre voting, others' reviews or ratings, or errors on the page. Don't comment just to troll/provoke. Likewise, don't respond to trollish comments; just report them and ignore them. Any spoilers should be placed in spoiler tags as such: [spoiler](spoiler goes here)[/spoiler] Note: Unlike reviews, comments are considered temporary and may be deleted/purged without notice. 1 List
the swedish theory of love pl
